| …an extended elegiac composition, emotionally charged, making full and fine use of the ’cello’s expressive capabilities. | ||
| —Records International (1998) |
Click the quotation text to discover what it refers to!
| …an extended elegiac composition, emotionally charged, making full and fine use of the ’cello’s expressive capabilities. | ||
| —Records International (1998) |
Click the quotation text to discover what it refers to!
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| …this set of songs is of such quality as to make me wish to see and hear other music by this gifted composer. | ||
| —Musical Opinion |
| Singers who may initially baulk at singing in Parsi should be reassured that a full pronunciation guide is included, and the music itself is impressive. | ||
| —Musical Opinion |
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| Composer | Title | Vocal range | Forces | Total duration | |||
|---|---|---|---|---|---|---|---|
| M. S. Sharifian | Three Lieder on Poems by Hafez for soprano and piano | ,B♭ to A | Soprano, Piano | ||||
| # | Composer | Movement | Forces | Duration | |||
| 1 | M. S. Sharifian Words: Hafez Translated by G. H. Wilberforce Clarke | I: Sufi goli becheeno moraghae bekhār bakhsh | Soprano, Piano | 5 mins | |||
| 2 | II: To hamcho sobheeyo man shameh khalvate saharam | 3½ mins | |||||
| 3 | III: Saman buyān ghobāre gham cho benshinand, benshānand | ||||||
Florence Lippett, Soprano, Farman Behbud, Piano
From a concert in Tehran, c. 1999; recording courtesy of the composer
Catalogue code: FM127 • Published: 2004
Entry last updated: 28th September 2011