| …would introduce pupils to different compositional styles… They are all convincing pastiches and enjoyable to play… | ||
| —Music Teacher |
Click the quotation text to discover what it refers to!
| …would introduce pupils to different compositional styles… They are all convincing pastiches and enjoyable to play… | ||
| —Music Teacher |
Click the quotation text to discover what it refers to!
| …the composer uses tonality in a very individual and original way, with frequent sudden shifts which always hold the attention of the ear. …this is a fine and original orchestral work, very deservedly awaiting a premiere performance; it is certainly the kind of contemporary music that we ought to be hearing much more regularly at The Proms. Please give it a listen! |
||
| —John Mitchell, YouTube |
(Click to enlarge)
| Composer | Title | Forces | Total duration | |||
|---|---|---|---|---|---|---|
| Peter Thompson | (Play complete work)Symphony no 3 for full orchestra | Full orchestra | 18 mins | |||
| # | Composer | Movement | Forces | Duration | ||
| 1 | Peter Thompson | I: Largo | Full orchestra | 10 mins | ||
| 2 | II: Adagietto solenne | 5 mins | ||||
| 3 | III: Allegro vivace | 3¼ mins | ||||
In the absence of a live recording of this piece, the Sibelius Orchestra, conducted by John Meccanico, has obliged to give you an idea of how it sounds
Catalogue code: FM195 • Published: 7th November 2015
Entry last updated: 12th November 2023