£6.50
| Composer | Title | Performer(s) | Total duration | |||||
|---|---|---|---|---|---|---|---|---|
| Carey Blyton | Carey Blyton – Film & Television Music (2/4) (extracts of music from documentary films and television plays) featuring British session players | Mostyn Evans, Tenor, Valda Aveling, Harpsichord, London Saxophone Quartet, British session players | 00:55:14 | |||||
| # | Composer | Grouping | Work | Movement | Performer(s) | Duration | ||
| 1 | Carey Blyton | Documentary Film Music | Capital City | Music Section 2 | British session players | 00:02:16 | ||
| 2 | Flying Birds | Title Music (Theme) | 00:00:42 | |||||
| 3 | Variation 3 | 00:00:48 | ||||||
| 4 | Variation 9 – Variation 10 | 00:00:50 | ||||||
| 5 | The Living River | Music Section 7 | 00:01:43 | |||||
| 6 | Music Section 10 (end credits – ‘Spring Scenic’) | 00:01:16 | ||||||
| 7 | Kites are Flying | Music Section 3 | 00:01:19 | |||||
| 8 | Music Section 7 (end credits) | 00:00:48 | ||||||
| 9 | Sherlock Holmes | Title Music: March: Mint Imperial, By Jingo! | 00:00:46 | |||||
| 10 | Music Section 3: “The Baker Street Irregulars” | 00:00:17 | ||||||
| 11 | Music Section 5: Inspector Lestrade of the Yard | 00:00:53 | ||||||
| 12 | Music Section 8A: Leverton, of Pinkerton’s Detective Agency | 00:00:19 | ||||||
| 13 | Music Section 10: Porky Johnson | 00:00:14 | ||||||
| 14 | Music Section 11A: Professor Moriarty | 00:00:41 | ||||||
| 15 | Music Section 12: London street scene | 00:00:30 | ||||||
| 16 | The Goshawk | Pre-title Music & Title Music | 00:01:20 | |||||
| 17 | Music Section 2M1 | 00:00:44 | ||||||
| 18 | Music Section 2M9 | 00:00:51 | ||||||
| 19 | The Furry Folk on Holiday | The Tufty Club Marching Song | 00:03:16 | |||||
| 20 | Low Water | Music for the Opening Credits | 00:01:52 | |||||
| 21 | Music for the Closing Credits | 00:01:53 | ||||||
| 22 | Display to Sell | Variation 1 – Lyrical, pastoral | Valda Aveling, Harpsichord | 00:02:43 | ||||
| 23 | Television Play Music | Doctor Who: Revenge of the Cybermen | Deep Space | British session players | 00:00:31 | |||
| 24 | Cybermen! | 00:00:39 | ||||||
| 25 | Vogans (both ‘hawk’ and ‘dove’) | 00:00:22 | ||||||
| 26 | Cybermen and Vogans – their music in combination | 00:00:43 | ||||||
| 27 | Cybermen and Vogans fight in the underground caves | 00:01:26 | ||||||
| 28 | “All’s well that ends well!” | 00:00:24 | ||||||
| 29 | Doctor Who: Death to the Daleks | A Desolate Landscape | London Saxophone Quartet | 00:01:34 | ||||
| 30 | Exxilon Chant | Mostyn Evans, Tenor, London Saxophone Quartet | 00:01:07 | |||||
| 31 | Dalek ‘March’ – silence – | London Saxophone Quartet | 00:00:41 | |||||
| 32 | Dalek ‘March’ (conclusion) | 00:00:25 | ||||||
| 33 | Exxilon Chant (human sacrifice) | Mostyn Evans, Tenor, London Saxophone Quartet | 00:01:02 | |||||
| 34 | The fight in the caves between Daleks and Exxilons | London Saxophone Quartet | 00:00:37 | |||||
| 35 | The fight between the Daleks and the city’s “zombies” | 00:01:26 | ||||||
| 36 | The Pigeon Fancier | Opening Title Music | British session players | 00:00:36 | ||||
| 37 | Closing Title Music | 00:01:50 | ||||||
| 38 | Footprints in the Jungle | Opening Title Music | 00:00:23 | |||||
| 39 | Music Section 2 | 00:00:22 | ||||||
| 40 | Music Section 4 | 00:00:38 | ||||||
| 41 | Music Section 5 | 00:00:32 | ||||||
| 42 | Music Section 13B | 00:01:34 | ||||||
| 43 | Doctor Who and the Silurians | Caves | 00:00:43 | |||||
| 44 | Research Establishment | 00:00:21 | ||||||
| 45 | U.N.I.T. troops | 00:00:58 | ||||||
| 46 | Silurians | 00:00:34 | ||||||
| 47 | The monster | 00:00:35 | ||||||
| 48 | Before the Party | Music Section 3 | 00:00:51 | |||||
| 49 | Music Section 7 | 00:01:08 | ||||||
| 50 | Music Section 14 | 00:00:55 | ||||||
| 51 | It Wasn’t Me | Opening Title Music | 00:00:22 | |||||
| 52 | Music Section 3 | 00:00:44 | ||||||
| 53 | Music Sections 6 & 7 | 00:00:54 | ||||||
| 54 | Music Section 9 | 00:00:24 | ||||||
| 55 | Music Section 10 | 00:00:33 | ||||||
| 56 | Music Section 19 | 00:00:26 | ||||||
| 57 | Julie’s Gone | Station identification signal | 00:00:08 | |||||
| 58 | Pre-title Music – Title Music – Music for Scene 5 | Valda Aveling, Harpsichord, British session players | 00:03:23 | |||||
Catalogue code: APSCD225 • Published: 16th July 2010
Entry last updated: 26th April 2014