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A. E. Housman (1859–1936) was a classical scholar who is now best known for his volume of verse, A Shropshire Lad, first published in 1896. With their evocation of the English countryside, thwarted love and a yearning for things lost, his poems are probably still as popular today as when they first appeared. Their content and regular metres made them especially appealing to composers for setting to music, and here such prominent figures as Arthur Somervell, Ralph Vaughan Williams, George Butterworth, John Ireland and E. J. Moeran immediately come to mind.
The five songs in The Heart of Man focus on the various aspects of pessimism and negativity that permeate so much of Housman’s verse. The first song questions whether material prosperity in later years is counterbalanced by a loss of youthful innocence, whilst in the second the narrator describes a return to a rural scene from his earlier life, only to find his former friends there have already perished. The jangling church bells in the third song sound as a metaphor for an unfulfilled life, followed by a song that asks whether there is any point in carrying on in such a hopeless situation. The final song queries whether happiness can perhaps be illusory, concluding that “…The heart of man … was never happy long.”
—John Mitchell, September 2025
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| Composer | Title | Vocal range | Forces | Total duration | |||
|---|---|---|---|---|---|---|---|
| John Mitchell | The Heart of Man Five A. E. Housman Songs for voice and piano | C♯ to E' | Voice, Piano | 6½ mins | |||
| # | Composer | Movement | Forces | Duration | |||
| 1 | John Mitchell Words: A. E. Housman | 1. The Way to Fair | Voice, Piano | 1½ mins | |||
| 2 | 2. Farm and Steeple | 1¾ mins | |||||
| 3 | 3. Justling Bells | ¾ minute | |||||
| 4 | 4. If it chance | 1 minute | |||||
| 5 | 5. Adam in Eden | 1½ mins | |||||
Catalogue code: FM300 • Published: 1st September 2025
Entry last updated: 1st September 2025