| …well recorded and amply annotated. Warmly welcomed. | ||
| —Peter J. Rabinowitz, Fanfare (37:3, Jan/Feb 2014) |
Click the quotation text to discover what it refers to!
| …well recorded and amply annotated. Warmly welcomed. | ||
| —Peter J. Rabinowitz, Fanfare (37:3, Jan/Feb 2014) |
Click the quotation text to discover what it refers to!
£5.95
This product has a total of 6 review excerpts; reload the page to see other quotations at random or take a look at all the reviews of this publication.
| The music sounds like an orchestral transcription and […] is in fact a pleasure to play through, especially at the sustained chordal climaxes towards the end. | ||
| —Murray McLachlan, International Piano (May/June 2015) |
| Beautiful, wistful music which makes considerable use of motivic variation techniques in only 112 bars. | ||
| —Murray McLachlan, International Piano (May/June 2015) |
(Click to enlarge)
| Composer | Title | Grade | Forces | Duration | ||
|---|---|---|---|---|---|---|
| Peter Thompson | Soliloquy for Piano | 8 to Advanced (post-Grade 8) | Piano | 4¼ mins | ||
This video is of Philip Mead giving the world première of Soliloquy at a recital on 6th November 2015. (The entire concert may be viewed online.)
Catalogue code: FM190 • Published: 12th April 2015
Entry last updated: 1st February 2016